You learn to write by writing. It’s a truism, but what makes it a truism is that it’s true.
– William Zinsser, On Writing Well
I hit 50,000 words this morning! (50,270 if you want to be exact)
Some people have told me that the feeling accompanying this achievement is excited elation, with light beaming down from the heavens as champagne fountains pop all around you, covering you with drunken glitteriness. I mostly thought, “Well, that happened.”
Not to say that I’m not happy with it – I definitely am! Hitting this major milestone has proven several things to myself and has (hopefully) permanently silenced a very specific jerkbrain litany that used to work really well against me. I am proud of myself.
My last two words written today were not ‘the’ and ‘end.’ I think I still have a good several thousand words to go before the climax is wrapped up and this draft is good and finished. I’m almost there though, and it’s going to happen by the end of this month. And then I’ll break out the champagne.
For now, I’ll go pour myself a less bubbly drink and take the rest of the day off (and do some Tgiving prep for tomorrow). I’ll savor this moment. And then I’ll see you back at the keys tomorrow.
Week three check-in time!
This week has gone by with much more ease than the previous one. Which is not to say that it is easy. It’s still definitely work. But I’ve managed to put some systems into place that have been helpful in making it not feel so much like a struggle.
The main change-up that I did for my workflow is implementing a modified Pomodoro Technique to break down how I was writing. This was something that was suggested under the “Week Three Tips” section of No Plot, No Problem as a way to put in some 6,000 word days to make up for any word deficit that was accumulated by the end of week two. Instead of doing that, I worked the system into my usual writing routine.
Week two check-in, and actually at the two week mark. Week two is the notoriously difficult week. When enthusiasm wanes and you’re left with a bit of a slog. A disastrous half-conceived plot. Characters that once raced to get things done, now going through the motions aimlessly. Disenchantment with the whole thing.
It’s been harder and harder to not listen to the inner editor (aka brain weasels, aka jerkbrain). I kept thinking about how terrible my writing was and how boring it was. I still didn’t know how some key pieces were going to work. I had lost faith in the process. Everything just felt wrong. I found myself glancing at the word count every page and then every paragraph and then every sentence. Did I hit the goal yet? Could I stop for the day? Disheartening to say the least.
In No Plot, No Problem, Chris Baty points out that this is the week to remind yourself, “Don’t get it right, get it written.” But even when I told myself that, I just had a hard time getting words out on the page. It was like pulling teeth, but slower and without anesthesia.
But I still did it.
You simply keep putting down one damn word after the other, as you hear them, as they come to you. You can either set brick as a laborer or as an artist. You can make the work a chore, or you can have a good time. You can do it the way you used to clear the dinner dishes when you were thirteen, or you can do it as a Japanese person would perform a tea ceremony, with a level of concentration and care in which you can lose yourself, and so in which you can find yourself.
– Anne Lamott, Bird by Bird
Week one NaNoWriMo check-in! Well, sort of. It’s only been five days at this point. Week one is fun because everyone’s energy is high, the community is strong, and the enthusiasm is boundless. Watching everyone hit the goals and cheer each other on is so great. Affirms that good things can still happen in internet communities. I’m involved in a few Discord servers for people who are participating, and the advice and encouragement being so easily and freely given is gratifying (and if I’m going to be sentimental about it, heart-warming) to see.
The biggest tips I’ve seen floating around about week one are basically thus:
This is how you do it: you sit down at the keyboard and you put one word after another until it’s done. It’s that easy, and that hard.
– Neil Gaiman
This is the first year I’ve even heard of Inktober, which is like the NaNoWriMo of October – one ink drawing every day for an entire month. 31 days, 31 drawings. I’ve dabbled in art (used to draw and doodle over everything in school), but like many other creative pursuits, it fell by the wayside over the years. So as part of my re-focusing, I decided to take up the challenge of Inktober (even though I had major resistance to the idea). And you know what? It was fun! I did a lot of scribbly drawings, and though not all of them are masterpieces, I managed to actually make a thing every single day. Some of which I even like. Go figure.
So for the curious, gallery below the cut.
Tomorrow is NaNoWriMo! I don’t really have any specific words of wisdom or anything. I’m in this as much as anyone else. But I am super pumped that there’s such a good crew of people doing this with me. The clacking of mechanical keyboards will be furious and deafening.
Remember, there is no trying. Just doing.
“Use this month to make words that you would not have made otherwise.”
– Howard Tayler, Writing Excuses 12.44
Here’s the novelist agreement from No Plot, No Problem and Chris Baty himself. Read it, take it to heart, sign it. And then tomorrow, we write!