Week three check-in time!
This week has gone by with much more ease than the previous one. Which is not to say that it is easy. It’s still definitely work. But I’ve managed to put some systems into place that have been helpful in making it not feel so much like a struggle.
The main change-up that I did for my workflow is implementing a modified Pomodoro Technique to break down how I was writing. This was something that was suggested under the “Week Three Tips” section of No Plot, No Problem as a way to put in some 6,000 word days to make up for any word deficit that was accumulated by the end of week two. Instead of doing that, I worked the system into my usual writing routine.
Week two check-in, and actually at the two week mark. Week two is the notoriously difficult week. When enthusiasm wanes and you’re left with a bit of a slog. A disastrous half-conceived plot. Characters that once raced to get things done, now going through the motions aimlessly. Disenchantment with the whole thing.
It’s been harder and harder to not listen to the inner editor (aka brain weasels, aka jerkbrain). I kept thinking about how terrible my writing was and how boring it was. I still didn’t know how some key pieces were going to work. I had lost faith in the process. Everything just felt wrong. I found myself glancing at the word count every page and then every paragraph and then every sentence. Did I hit the goal yet? Could I stop for the day? Disheartening to say the least.
In No Plot, No Problem, Chris Baty points out that this is the week to remind yourself, “Don’t get it right, get it written.” But even when I told myself that, I just had a hard time getting words out on the page. It was like pulling teeth, but slower and without anesthesia.
But I still did it.